Behind the Wall of Sleep (House of Blues - Los Angeles, CA 1994)Ġ9. Time and Time Again (The Bottom Line - NYC 5/6/88)Ġ8. I Don't Want to Lose You (Cabaret Metro - Chicago, IL 5/14/88)Ġ7. Cigarette (The Newport - Columbus, OH 12/23/89)Ġ6. Groovy Tuesday (The Coach House - San Juan Capistrano, CA 6/88)Ġ5. Listen to Me Girl (Kolingsborg - Stockholm, Sweden 4/17/84)Ġ4. Strangers When We Meet (The Bottom Line - NYC 5/6/88)Ġ3. Title: Especially for You (Live Compilation)Ġ2. BIS CD165 is certainly not one of the structural pillars of the Hall of Fame, but it makes a very attractive Swedish display case, for some little-known, meltingly beautiful music. Hidebound Romantics should head straight for the Blomdahl Adagio, but I urge you all to sample the whole recital. A CD of relaxing Swedish lighter classics might not be anywhere near the top of your Want List, just now. There have been a few digital anthologies rather like this one in the intervening 20 years, but Wedin said it all in 1980. Roman's 15-minute oboe d'amore concerto represents the Swedish 18th century at its considerable best: a warm contrast with the rest of the program, the soloist sounding rather close, but with memorable invention and interplay in the fast movements.įine notes, by the eminent Per Skans. You're the poorer, if you don't know it yet. They should have done the Mozart Sinfonia concertante at the same sessions, but this is inspired playing, and arguably Atterberg's finest 12 minutes. The slow middle movement, Pantomim, really lets Sparf's artistry and phrasing shine, closely shadowed by Mansnerus. The latter is sadness, packed ready to go, but the violin and viola in the Atterberg spin threads of Romantic ardor that float into the air, and resound in your consciousness forever, like it or not. The real highlights are the modest Atterberg Suite, and the Rosenberg cello miniature. The tearful, moving Andante used to close out the LP, but on CD the spell is broken by the boisterous AlfvÃ©n Dance, then cast again for Blomdahl's heartfelt Adagio. Wedin's direction is inspired here, and in the four gentle Winter's Tale fragments. The timbre of the winds is distinctive, thanks to the sound coming off the hard back wall, too, but the small string band has presence-and-a-half. The Romance has live intensity, helped by the sound, a classic piece of minimalist work by Bis proprietor, Robert von Bar: just a small Revox half-track reel-to-reel machine, and a couple of mikes above and in front of the conductor. Larsson's Pastoral Suite is the best-known music here, and makes a fine overture in its most sprightly recorded chamber performance. Gold buried deep in the BIS back-catalog since 1980 (but readily available), this CD adds a couple of apt fillers from 1981 to the program of the original analog LP. Suite for violin, viola & string orchestra, Op.

Concerto, for oboe d'amore & strings in D major, BeRI 53: Allegro assai Ġ7. Concerto, for oboe d'amore & strings in D major, BeRI 53: Andante lento Ġ6. Concerto, for oboe d'amore & strings in D major, BeRI 53: Allegro moderato Ġ5.

The Upsetters Lee 'Scratch' Perry - Games People Play (2:13)Īrtist: The Stockholm Sinfonietta, Jan-Olaw WedinĠ1. The Upsetters - Mean And Dangerous (1:49)ġ2. The Upsetters Pat Satchmo - Boss Society (2:20)ġ1.

The Upsetters Pat Satchmo - Goosy (2:18)ġ0. The Upsetters Carl Dawkins - Cloud Nine (3:06)Ġ8. The Upsetters David Isaacs - Can't Take It Anymore (2:52)Ġ5. The Upsetters Lee 'Scratch' Perry - Exray Vision (3:05)Ġ2. Many Moods of the Upsetters is a studio album by The Upsetters, released in 1970.Ġ1. Firing Squad (Come On I'm English, I'll Even Queue and Wait My Turn) (3:22) Moving to New York (Early Demo from 2005) (3:29)ģ2.

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